“ಕಾನೂರು ಹೆಗ್ಗಡಿತಿ”ಕನ್ನಡ ಚಲನಚಿತ್ರ

“ಕಾನೂರು ಹೆಗ್ಗಡಿತಿ”ಕನ್ನಡ ಚಲನಚಿತ್ರ | KANOORU HEGGADATHI-Kannada Full Movie

Kanooru Heggadithi (Mistress of the House of Kanooru) is a 1999 Indian film based on the 1936 novel “Kanooru Subbamma Heggadithi” by Kannada writer Kuvempu, and directed by playwright and film director Girish Karnad.[1] Set in the Malnad region, the film narrates a story of the land and life of a feudal family in pre-independence Malnad. The film marked Karnad’s return to directing after a lapse of over a decade.[2][3] This is the only instance in the Indian cinema history where one Jnanpith Awardee directed a movie based on the work of another Jnanpith Awardee.

Subbamma (Tara), third wife of Chandre Gowda (Girish Karnad), is a rebellious mistress of the household and encourages sporadic acts of defiance against men from among her women friends. When her husband dies, she uses her position of authority to avenge all the wrongs ever done by man to woman. Her actions end up destroying her, and her place is taken by liberal intellectual Hooviah.

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Cast
Girish Karnad as Chandre Gowda,
Tara as Subbamma,
Mallika Prasad as Site,
Srinivasa Prabhu as Seregara (Manager),
Suchendra Prasad,

Directed by Girish Karnad
Produced by H. G. Narayan
Written by Kuvempu
Screenplay by Girish Karnad
Based on The House Of Kanooru
by Kuvempu
Starring Girish Karnad
Tara
Music by B. V. Karanth
Release date
19 November 1999 (India)

The novel by Kuvempu consisted of 700 pages and dealt with over 150 characters. It took Karnad eight months to reduce it to a feature film screenplay which concentrated on four main characters: Chandre Gowda, Seetha, Hoovayya, and Subbamma – Gowda’s third wife. After the shooting began, the women of Megaravalli are returning to their native dress. Even the names of their houses were changed to the titles described in the novel. Director Karnad said that while the film did justice to the Kuvempu novel, it was only an attempt to portray the complexities of the women characters in Kuvempu’s work through an attempt to show the three different aspects of womanhood in a feudal set-up, and the novel itself could not be depicted in full.